A big, hearty thank you to our visiting artist, Carol Douglas, for traveling across the pond (from the UK) to be with us this past weekend, November 11 and 12, 2017. Wings and Things was the focus of the class. Carol is a warm, generous and fun person with an extensive knowledge of metal clay as it pertains to jewelry and sculpture.
Additionally, we were thrilled to have Bill and Lacey-Ann Struve attend the class. The class used FS999™ Fine Silver Clay as the medium which is the latest wonderful product from Metal Adventures Inc.
To get our creative juices flowing, Carol led us all on a meditation, taking us on a journey intended to bring images into our minds of what we might want to create, whether it was a butterfly or moth or creature from our own imaginations. The class was not “project oriented,” but rather each of us were encouraged to create our own story and wing project with the inspirations that had come to us during the meditation.
She talked extensively about her creative process, how she makes wings for her creatures, and showed us lots of tips and tricks for working with metal clay. She helped us think in a 3D perspective regarding the visual aspect of creatures with wings.
From then on, we each worked independently with plenty of encouragement and help from Carol. Each student’s work showed their individuality and the spark that had come to them during the meditation. There were beginners as well as seasoned metal clay artists in the class and Carol was graciously attentive to each student based on their experience. Questions were welcomed, problems were solved, much fun and laughter ensued, and all of us worked diligently.
Our ninth artist for the Artist Project Series with Creative Fire using EZ960® Sterling Silver Metal Clay is Julia Rai, an award winning artist, teacher and writer. She is well known in the international metal clay community.
Julia explains, “Penannular style brooches have been used to fasten clothing since the late Iron Age. This style of brooch has a loop of metal with terminals or flattened ends and a moveable pin. The pin is pushed through the fabric and the end of the ring goes under the sharp end of the pin. The ring is then turned locking the pin in place. There are a wide variety of designs for the terminals of historical penannular brooches and this is where the fun comes in on this modern take on an ancient design. I have used a natural theme for the hoop, texturing it to resemble bark. The terminals use pod, fungi and lichen forms and this is echoed on the curve of the pin.”
Follow along and learn Julia’s process step by step for making this beautiful piece as well as more about Julia Rai here.